Materiële bewaring van je fysiek archief/en - Bewerkingsoverzicht

Birthe Verscuren op 31 jan 2025 om 14:28

2025-01-31T14:28:01Z

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	It’s important to store archives and collections sustainably if you want to avoid losing any data or information. And different types of documents and objects also need to be stored in different ways. After all, archives and collections owned by artists and arts organisations often contain assorted types of materials – such as paper, textiles, wood, metal and plastic – and all these materials require specific attention. Correct packaging of archive items and documents is an essential part of this, and the saying ‘prevention is better than cure’ also holds true here. Archives and collections are usually stored somewhere with enough space that’s easy to access. But it’s important to be aware of any risks that might be associated with this storage area, so you can eliminate them where possible and limit any foreseeable damage.		It’s important to store archives and collections sustainably if you want to avoid losing any data or information. And different types of documents and objects also need to be stored in different ways. After all, archives and collections owned by artists and arts organisations often contain assorted types of materials – such as paper, textiles, wood, metal and plastic – and all these materials require specific attention. Correct packaging of archive items and documents is an essential part of this, and the saying ‘prevention is better than cure’ also holds true here. Archives and collections are usually stored somewhere with enough space that’s easy to access. But it’s important to be aware of any risks that might be associated with this storage area, so you can eliminate them where possible and limit any foreseeable damage.
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	== How to store documents, newspaper cuttings and drawings? ==		== How to store documents, newspaper cuttings and drawings? ==

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	* Remove any elements that could damage the documents – such as paperclips, staples, elastic/rubber bands, plastic folders, ring binders – along with any unnecessary paper folders, blotting paper, etc.		* Remove any elements that could damage the documents – such as paperclips, staples, elastic/rubber bands, plastic folders, ring binders – along with any unnecessary paper folders, blotting paper, etc.
	* Documents that are held together with harmful materials – such as paperclips, staples and elastic/rubber bands, etc. – must still be kept together, however. Use a large sheet (A3) of (acid-free) paper folded in half with the documents inside, and replace ring binders with (acid-free) boxes.		* Documents that are held together with harmful materials – such as paperclips, staples and elastic/rubber bands, etc. – must still be kept together, however. Use a large sheet (A3) of (acid-free) paper folded in half with the documents inside, and replace ring binders with (acid-free) boxes.
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	You can find more information via the references below:		You can find more information via the references below:
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	'''Books'''		'''Books'''
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	== What to do with large formats? ==		== What to do with large formats? ==

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	* It’s best to store large paper formats such as posters, drawings, lighting plans, etc. in drawers designed specifically for this purpose (map/poster cabinets). These are available up to A0+ format (1600mm x 841mm). Metal cabinets with a powder coating dried at high temperature are best.		* It’s best to store large paper formats such as posters, drawings, lighting plans, etc. in drawers designed specifically for this purpose (map/poster cabinets). These are available up to A0+ format (1600mm x 841mm). Metal cabinets with a powder coating dried at high temperature are best.
	* Multiple paper documents can be stored in a single drawer, but make sure you don’t overfill them as this can put too much pressure on the documents at the bottom.		* Multiple paper documents can be stored in a single drawer, but make sure you don’t overfill them as this can put too much pressure on the documents at the bottom.
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	* If you’re storing documents of assorted sizes together in one drawer, place the largest ones at the bottom.		* If you’re storing documents of assorted sizes together in one drawer, place the largest ones at the bottom.
	* It’s best to protect delicate documents in an (acid-free) cover.		* It’s best to protect delicate documents in an (acid-free) cover.
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	'''You can find map cabinets at:'''		'''You can find map cabinets at:'''
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	== How to store film and video? ==		== How to store film and video? ==

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	* Store audiovisual materials upright (like books on a bookshelf) in cool, stable conditions. A temperature of 18°C is suitable for both optical discs and magnetic tapes.		* Store audiovisual materials upright (like books on a bookshelf) in cool, stable conditions. A temperature of 18°C is suitable for both optical discs and magnetic tapes.
	* Always store these materials in their boxes. Make sure the boxes remain free of dirt and dust.		* Always store these materials in their boxes. Make sure the boxes remain free of dirt and dust.
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	* Fully rewind magnetic tapes before storing them, and disable the record tab to prevent unwanted erasure in the future.		* Fully rewind magnetic tapes before storing them, and disable the record tab to prevent unwanted erasure in the future.
	* Use a pen with a soft tip for labelling. For optical discs, we recommend only writing in the transparent inner circle where no data is stored.		* Use a pen with a soft tip for labelling. For optical discs, we recommend only writing in the transparent inner circle where no data is stored.
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	<blockquote>Avoid using adhesive labels on optical discs.</blockquote>		<blockquote>Avoid using adhesive labels on optical discs.</blockquote>
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	== How to store photos? ==		== How to store photos? ==

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	* Store your photos in a dark place (avoid light), flat in boxes, and do not use any glue, photo albums, staples, rubber bands...		* Store your photos in a dark place (avoid light), flat in boxes, and do not use any glue, photo albums, staples, rubber bands...
	* Use a pencil on the back of the photo to label it.		* Use a pencil on the back of the photo to label it.
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	'''You can find more information via the references below:'''		'''You can find more information via the references below:'''
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	== How to store textiles? ==		== How to store textiles? ==

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	* Store your textiles flat in a box or rolled up if you don’t have enough space (not including costumes). Avoid folding!		* Store your textiles flat in a box or rolled up if you don’t have enough space (not including costumes). Avoid folding!
	* Do not store textiles dirty; this attracts pests.		* Do not store textiles dirty; this attracts pests.
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	* Hang cedarwood blocks between the costumes rather than mothballs. This is cheaper and better for the environment. Instead of replacing the blocks every year, you can treat them with a mixture of cedar and lavender oil every three to four months. It’s much more enjoyable performing in costumes that smell good and not like mothballs!		* Hang cedarwood blocks between the costumes rather than mothballs. This is cheaper and better for the environment. Instead of replacing the blocks every year, you can treat them with a mixture of cedar and lavender oil every three to four months. It’s much more enjoyable performing in costumes that smell good and not like mothballs!
	* If you find any moths, place your textile in a plastic bag, squeeze out as much air as possible and seal tightly. Then place in the freezer for two weeks. After these two weeks, let it defrost gradually, remove the plastic bag as soon as possible, and continue to leave to dry as normal. Never use a hairdryer to speed up the process!		* If you find any moths, place your textile in a plastic bag, squeeze out as much air as possible and seal tightly. Then place in the freezer for two weeks. After these two weeks, let it defrost gradually, remove the plastic bag as soon as possible, and continue to leave to dry as normal. Never use a hairdryer to speed up the process!
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	More info:		More info:

Birthe Verscuren op 31 jan 2025 om 14:22

2025-01-31T14:22:54Z

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	More info:		More info:
	*FARO, 'Inhoud aflevering: Textiel', Verzeker De Bewaring, 2016.		*[https://s3.amazonaws.com/verzekerdebewaring/aflevering_textiel.pdf FARO, 'Inhoud aflevering: Textiel', Verzeker De Bewaring, 2016.]
	*Instituut Collectie Nederland, Opgeruimd staat netjes: liggend en opgerold, ICN-Informatie, 14, 2005.		*[https://www.scribd.com/doc/30388624/Opgeruimd-staat-netjes-Opbergen-van-textiel-ICN-Info-14 Instituut Collectie Nederland, Opgeruimd staat netjes: liggend en opgerold, ICN-Informatie, 14, 2005.]
	*Net Nebraska, Saving Your Treasures: How To Fold & Roll Textiles For Storage.		*[https://nebraskapublicmedia.org/en/series-media/non-series-video/saving-your-treasures-full-program-41083754/ Net Nebraska, Saving Your Treasures: How To Fold & Roll Textiles For Storage.]
	*AUBAGNAC, G., CHAMPEAUX, A., CHEVALLIER, D., VILLA, A. [et al.], Réflexions sur la présentation de collection textiles, de costumes et d'uniformes, Lyon; Aix-en-Provence: Association générale des conservateurs des collections publiques de France, Section Provence-Alpes-Côte d'Azur, 2006.		*AUBAGNAC, G., CHAMPEAUX, A., CHEVALLIER, D., VILLA, A. [et al.], Réflexions sur la présentation de collection textiles, de costumes et d'uniformes, Lyon; Aix-en-Provence: Association générale des conservateurs des collections publiques de France, Section Provence-Alpes-Côte d'Azur, 2006.
	*BOERSMA, F., e.a., Preservation of textile collections, London, 2007.		*BOERSMA, F., e.a., Preservation of textile collections, London, 2007.
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	*CORBIN, G., Recherche sur la conservation et la restauration de Foot Soldier (Godzilla) de Kenji Yanobe. Complétée d'une étude sur les mousses polyuréthanes souples, France: ESAA (mémoire), 2007.		*CORBIN, G., Recherche sur la conservation et la restauration de Foot Soldier (Godzilla) de Kenji Yanobe. Complétée d'une étude sur les mousses polyuréthanes souples, France: ESAA (mémoire), 2007.
	*CORBIN, G., Recherche sur les altérations d’une couche peinte composée de latex, in CRBC, ed. ARAAFU, 2008.		*CORBIN, G., Recherche sur les altérations d’une couche peinte composée de latex, in CRBC, ed. ARAAFU, 2008.
	*CORBIN, G.; COLOMBINI, A.; LEAL, V., Les matériaux en polyuréthane dans les oeuvres d’art: des fortunes diverses. Le cas de la sculpture «Foot Soldier» de Kenji Yanobe, in CeROArt revue électronique, n°2, 2008.		*[https://journals.openedition.org/ceroart/432 CORBIN, G.; COLOMBINI, A.; LEAL, V., Les matériaux en polyuréthane dans les oeuvres d’art: des fortunes diverses. Le cas de la sculpture «Foot Soldier» de Kenji Yanobe, in CeROArt revue électronique, n°2, 2008.]
	*GARCIN, E., Roméo et Juliette" de Jean Cocteau. Restauration du costume peint de Juliette, conçu par Jean Hugo, France: INP (mémoire), 2004. X, Conservation du patrimoine et des biens culturels, La Plaine-Saint-Denis: AFNOR, 2011.		*GARCIN, E., Roméo et Juliette" de Jean Cocteau. Restauration du costume peint de Juliette, conçu par Jean Hugo, France: INP (mémoire), 2004. X, Conservation du patrimoine et des biens culturels, La Plaine-Saint-Denis: AFNOR, 2011.
	*Instituut Collectie Nederland, ~~Kostuumscollecties~~. Richtlijnen voor beheer en behoud, Amsterdam, 1999.		*[https://cemper.be/assets/documents/Kostuumcollecties_Richtlijnen_voor_beheer_en_behoud.pdf Instituut Collectie Nederland, Kostuumcollecties. Richtlijnen voor beheer en behoud, Amsterdam, 1999.]
	*QUINTENS, P., Een representatieve selectie theaterkostuums van het theatercollectief Dito’Dito, in Arduin, 9 (~~May~~ 2011), pp. 40-53.		*[https://www.amvb.be/sites/default/files/2018-07/Arduin09pr.pdf QUINTENS, P., Een representatieve selectie theaterkostuums van het theatercollectief Dito’Dito, in Arduin, 9 (mei 2011), pp. 40-53.]
	Based on tips from restorer Maria Springael and An De Mol, costume manager at NTGent.		Based on tips from restorer Maria Springael and An De Mol, costume manager at NTGent.
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	''Flags'''		''Flags'''
	*Erfgoedcel CO7, ''Wat en hoe-boekje: Vlaggen'', Ieper, 2010, .		*[https://www.co7.be/at--en-hoe-boekje-over-vlaggen Erfgoedcel CO7, ''Wat en hoe-boekje: Vlaggen'', Ieper, 2010.]
	*Erfgoedcel WAASLAND, Verschillende bewaarwijzen for vlaggen.		*Erfgoedcel WAASLAND, Verschillende bewaarwijzen for vlaggen.
	~~</div>~~

	[[Categorie: 4. Materieel bewaren/en]]		[[Categorie: 4. Materieel bewaren/en]]
	[[Categorie: Primaire Tools/en]]		[[Categorie: Primaire Tools/en]]
	''Auteur: Evi Bert (CKV)''		''Auteur: Evi Bert (CKV)''

Birthe Verscuren op 31 jan 2025 om 14:17

2025-01-31T14:17:18Z

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	*Borggreen, G. en Gade R. , Performing Archives/Archives of Performance (In Between States), 2013		*Borggreen, G. en Gade R. , Performing Archives/Archives of Performance (In Between States), 2013

	== How to store textiles?		== How to store textiles? ==

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Birthe Verscuren op 31 jan 2025 om 14:16

2025-01-31T14:16:04Z

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	*[https://www.amvb.be/sites/default/files/2018-07/Arduin02pr.pdf QUINTENS, P., De conservering en betekenis van de maquettecollectie van de KVS in het AMVB, in Arduin, 2 (december 2007), pp. 38-47.]		*[https://www.amvb.be/sites/default/files/2018-07/Arduin02pr.pdf QUINTENS, P., De conservering en betekenis van de maquettecollectie van de KVS in het AMVB, in Arduin, 2 (december 2007), pp. 38-47.]

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	'''Theatre puppets'''		'''Theatre puppets'''
	*KOCKELKOREN, G. (2010), Behoud de beheerte. Workshop behoud en beheer van theaterpoppen. Wat met 'stof' & plastics [PowerPoint slides].		*KOCKELKOREN, G. (2010), Behoud de beheerte. Workshop behoud en beheer van theaterpoppen. Wat met 'stof' & plastics [PowerPoint slides].
	*SMETS, L. (2010), Behoud en beheer van figurentheaterelementen. Hoe garandeer ik mijn figuren, rekwisieten, decors en documenten een lang leven? [PowerPoint slides].		*[https://www.slideserve.com/ingo/behoud-en-beheer-van-figurentheaterelementen-hoe-garandeer-ik-mijn-figuren-een-lang-leven SMETS, L. (2010), Behoud en beheer van figurentheaterelementen. Hoe garandeer ik mijn figuren, rekwisieten, decors en documenten een lang leven? [PowerPoint slides]].

	'''Performance Props'''		'''Performance Props'''
	*Borggreen, G. en Gade R. , Performing Archives/Archives of Performance (In Between States), 2013		*Borggreen, G. en Gade R. , Performing Archives/Archives of Performance (In Between States), 2013
	~~</div>~~

	== How to store textiles?		== How to store textiles?

Birthe Verscuren op 31 jan 2025 om 14:15

2025-01-31T14:15:34Z

← Oudere versie		Versie van 31 jan 2025 14:15
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	'''You can find more information via the references below:'''		'''You can find more information via the references below:'''
	*BOON, B. en LELOUP, G., Fotoarchief. Praktische aanbevelingen voor bewaring en beheer, ~~Brussels~~, 2011.		*[https://www.arch.be/docs/brochures/fotoarchief.pdf BOON, B. en LELOUP, G., Fotoarchief. Praktische aanbevelingen voor bewaring en beheer, Brussel, 2011.]
	*~~Depotwijzer~~, Fotografisch materiaal.		*[https://faro.be/kennis/materialen/fotografisch-materiaal Erfgoedwijzer, Fotografisch materiaal.]
	*~~Photo Museum of Antwerp, E~~.~~H.B.O. voor uw foto’s, Antwerp, 2005.~~		*[https://cemper.be/assets/documents/Beiaard/20121009_Leidraad-beiaardiers_geheel.pdf MOYSON, H. (RESONANT), Zorg dragen voor je archief. Leidraad voor beiaardiers, Leuven, 2012, 40.]
	*Rotterdam Municipal Archives, storing photos.		*[https://natlib.govt.nz/collections/caring-for-your-collections/caring-for-collections-guides/photographs-caring National Library of New Zealand, Caring for your collections. Photographs.]
	*MOYSON, H. (RESONANT), Zorg dragen voor je archief. Leidraad voor beiaardiers, Leuven, 2012, 40.		*[https://www.loc.gov/preservation/care/photo.html ROOSA, M. (Library of Congress), Care, handling, and storage of photographs, Washington, 2002.]
	*National Library of New Zealand, Caring for your collections. Photographs.
	*ROOSA, M. (Library of Congress), Care, handling, and storage of photographs, Washington, 2002.
	~~</div>~~

	== How to store (large) objects? ==		== How to store (large) objects? ==

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	In addition to building an archive, as an artist or organisation you’ll also collect objects such as props, hardware, tools and models. It’s important to keep a record of all this heritage and manage it properly in separate collections.		In addition to building an archive, as an artist or organisation you’ll also collect objects such as props, hardware, tools and models. It’s important to keep a record of all this heritage and manage it properly in separate collections.

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	'''Various materials (stone, wood, plastic...)'''		'''Various materials (stone, wood, plastic...)'''
	*FARO, Verzeker de Bewaring.		*[https://faro.be/verzekerde-bewaring FARO, Verzeker de Bewaring.]
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	''Models'''		''Models'''
	*VAN GOETHEM, J. en WALLEMACQ, S. (Koninklijke Muntschouwburg), Decormaquettes in het theater: van werkinstrument tot ontsluiting van cultureel erfgoed, 2013, Brussels.		*VAN GOETHEM, J. en WALLEMACQ, S. (Koninklijke Muntschouwburg), Decormaquettes in het theater: van werkinstrument tot ontsluiting van cultureel erfgoed, 2013, Brussels.
	*QUINTENS, P., De conservering en betekenis van de maquettecollectie van de KVS in het AMVB, in Arduin, 2 (~~December~~ 2007), pp. 38-47.		*[https://www.amvb.be/sites/default/files/2018-07/Arduin02pr.pdf QUINTENS, P., De conservering en betekenis van de maquettecollectie van de KVS in het AMVB, in Arduin, 2 (december 2007), pp. 38-47.]
	~~</div>~~

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Birthe Verscuren op 31 jan 2025 om 14:12

2025-01-31T14:12:43Z

← Oudere versie		Versie van 31 jan 2025 14:12
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	<blockquote>Avoid using adhesive labels on optical discs.</blockquote>		<blockquote>Avoid using adhesive labels on optical discs.</blockquote>

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	'''You can find more information via the references below:'''		'''You can find more information via the references below:'''
	*BOUDREZ, F., Magnetische dragers voor het archief, ~~Antwerp~~, 2002.		*[http://www.edavid.be/davidproject/teksten/DAVIDbijdragen/Magnetische_dragers.pdf BOUDREZ, F., Magnetische dragers voor het archief, Antwerpen, 2002.]
	*FARO, 'Inhoud aflevering: Audiovisueel Materiaal', Verzeker De Bewaring, 2016.		*[https://s3.amazonaws.com/verzekerdebewaring/aflevering_audiovisueel_materiaal.pdf FARO, 'Inhoud aflevering: Audiovisueel Materiaal', Verzeker De Bewaring, 2016.]
	*~~Rotterdam Municipal Archives, storing audio~~.		*[https://cemper.be/assets/documents/Beiaard/20121009_Leidraad-beiaardiers_geheel.pdf MOYSON, H. (RESONANT), Zorg dragen voor je archief. Leidraad voor beiaardiers, Leuven, 2012, 42.]
	*Rotterdam Municipal Archives, storing film and video.		*[https://natlib.govt.nz/collections/caring-for-your-collections/caring-for-collections-guides/sound-recordings National Library of New Zealand, Sound Recordings.]
	*MOYSON, H. (RESONANT), Zorg dragen voor je archief. Leidraad voor beiaardiers, Leuven, 2012, 42.		*https://knowyourcarrier.com/
	*National Library of New Zealand, Sound Recordings.
	*https://knowyourcarrier.com/
	~~</div>~~

	== How to store photos? ==		== How to store photos? ==

Birthe Verscuren op 31 jan 2025 om 14:10

2025-01-31T14:10:31Z

← Oudere versie		Versie van 31 jan 2025 14:10
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	* It’s better not to keep more than ten documents in one cover.		* It’s better not to keep more than ten documents in one cover.

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	'''You can find acid-free archive boxes and covers at:'''		'''You can find acid-free archive boxes and covers at:'''
	*State Archives of Belgium, http://www.arch.be/index.php?l=en		*State Archives of Belgium, http://www.arch.be/index.php?l=en
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	'''You can find more information via the references below:'''		'''You can find more information via the references below:'''
	*Northeast Document Conservation Centre, Storage Solutions for Oversized Paper Artifacts.		*[https://www.nedcc.org/free-resources/preservation-leaflets/4.-storage-and-handling/4.9-storage-solutions-for-oversized-paper-artifacts Northeast Document Conservation Centre, Storage Solutions for Oversized Paper Artifacts.]
	*~~Province of~~ West ~~Flanders~~, Tolhuis ~~Provincial Library and Provincial Archives of~~ West ~~Flanders~~, ~~User Guide for WW1 Poster Inventory~~, West ~~Flanders~~, 2013.		*[https://velehanden.nl/img/uploads/projecten/picvh_gnt_tagging/invoerinstructie.pdf Provincie West-Vlaanderen, Provinciale Bibliotheek Tolhuis en Provinciale Archiefdienst West-Vlaanderen, Handleiding inventarisatie tekstaffiches WOI, West-Vlaanderen, 2013.]
	~~</div>~~

	== How to store film and video? ==		== How to store film and video? ==

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It’s important that your archive or collection is preserved properly so that no information is lost – and minimising known threats as much as possi...'

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	<languages />~~<div lang="nl" dir="ltr" class="mw-content-ltr">~~		<languages /><blockquote>
	<blockquote>		It’s important that your archive or collection is preserved properly so that no information is lost – and minimising known threats as much as possible reduces this risk.<br>
	~~Het~~ is van belang dat je archief of collectie op een goede manier bewaard wordt, zodat er geen informatie verloren kan gaan. Door de gekende risico’s zo veel mogelijk te verkleinen, beperk je de kans op informatieverlies.<br>		In this article, you’ll learn:
	In ~~deze tool leer je het volgende~~:		* Why do you need to ensure that your physical archive is well preserved?
	* ~~Waarom moet je ervoor zorgen dat je fysiek archief goed bewaard wordt~~?		* Where can you find detailed information about the proper preservation of your physical archive or collection?
	* ~~Waar kan je gedetailleerde informatie vinden over de goede bewaring van je fysieke archief~~ of ~~collectie~~?		* How do you preserve paper documents?
	* ~~Hoe bewaar je papieren documenten~~?		* How do you preserve film and video?
	* ~~Hoe bewaar je~~ film en video?		* How do you preserve photos?
	* ~~Hoe bewaar je foto’s~~?		* How do you preserve large formats?
	* ~~Hoe bewaar je grote formaten~~?		* How do you preserve textiles?
	* ~~Hoe bewaar je textiel~~?
	</blockquote>		</blockquote>
	~~</div>~~

	It’s important to store archives and collections sustainably if you want to avoid losing any data or information. And different types of documents and objects also need to be stored in different ways. After all, archives and collections owned by artists and arts organisations often contain assorted types of materials – such as paper, textiles, wood, metal and plastic – and all these materials require specific attention. Correct packaging of archive items and documents is an essential part of this, and the saying ‘prevention is better than cure’ also holds true here. Archives and collections are usually stored somewhere with enough space that’s easy to access. But it’s important to be aware of any risks that might be associated with this storage area, so you can eliminate them where possible and limit any foreseeable damage.		It’s important to store archives and collections sustainably if you want to avoid losing any data or information. And different types of documents and objects also need to be stored in different ways. After all, archives and collections owned by artists and arts organisations often contain assorted types of materials – such as paper, textiles, wood, metal and plastic – and all these materials require specific attention. Correct packaging of archive items and documents is an essential part of this, and the saying ‘prevention is better than cure’ also holds true here. Archives and collections are usually stored somewhere with enough space that’s easy to access. But it’s important to be aware of any risks that might be associated with this storage area, so you can eliminate them where possible and limit any foreseeable damage.

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2023-12-01T13:30:40Z

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-<languages />It’s important to store archives and collections sustainably if you want to avoid losing any data or information. And different types of documents and objects also need to be stored in different ways. After all, archives and collections owned by artists and arts organisations often contain assorted types of materials – such as paper, textiles, wood, metal and plastic – and all these materials require specific attention. Correct packaging of archive items and documents is an essential part of this, and the saying ‘prevention is better than cure’ also holds true here. Archives and collections are usually stored somewhere with enough space that’s easy to access. But it’s important to be aware of any risks that might be associated with this storage area, so you can eliminate them where possible and limit any foreseeable damage.
+<languages /><div lang="nl" dir="ltr" class="mw-content-ltr">
 Consider visiting [https://faro.be/kennis Erfgoedwijzer] for additional information on the [https://faro.be/kennis/bewaren-verpakken-transporteren/welk-verpakkingsmateriaal-kiest-u packaging of archival materials and collection items], and on how to [https://faro.be/kennis/bewaren-verpakken-transporteren/hoe-plaatst-u-objecten-in-depot correctly store them in a depot] (all links in Dutch).
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 * It’s better not to keep more than ten documents in one cover.
 '''You can find acid-free archive boxes and covers at:'''
 *State Archives of Belgium, http://www.arch.be/index.php?l=en
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 *Northeast Document Conservation Centre, Storage Solutions for Oversized Paper Artifacts.
 *Province of West Flanders, Tolhuis Provincial Library and Provincial Archives of West Flanders, User Guide for WW1 Poster Inventory, West Flanders, 2013.
 == How to store film and video? ==

Materiële bewaring van je fysiek archief/en - Bewerkingsoverzicht

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FuzzyBot: Bijgewerkt vanwege een nieuwe basisversie van de bronpagina

Bart Magnus: Nieuwe pagina aangemaakt met ' It’s important that your archive or collection is preserved properly so that no information is lost – and minimising known threats as much as possi...'

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It’s important that your archive or collection is preserved properly so that no information is lost – and minimising known threats as much as possi...'