Omgang met rechten in de TRANSIT-collectie/en - Bewerkingsoverzicht

Nastasia op 12 jun 2024 om 13:17

2024-06-12T13:17:25Z

← Oudere versie		Versie van 12 jun 2024 13:17
Regel 44:		Regel 44:
	*technical equipment is required (amplifiers, mixing desks, microphones, pedals, etc.).		*technical equipment is required (amplifiers, mixing desks, microphones, pedals, etc.).

	New music therefore often requires '''technical information sheets''' and '''performance instructions'''. These instructions explain how the composer needs to work with the musical content. A technical information sheet lists what equipment is required to perform the composition. In the specific case of the educational scores, this extra information was often unavailable, which is a big obstacle when it comes to producing repeat performances. Some compositions in this collection also give the performers lots of musical freedom, meaning every performance will sound different. But audio clips can still provide lots of information about the composition and be particularly useful when combined with a score. The documentary value of this collection translates mainly into photo and video content, scores, audio clips and texts from programmes and leaflets. To make all this information available to the audience, however, it all had to be packaged in the correct file formats for it to be accessible online. ~~The~~ [~~http~~://~~www~~.~~projectcest~~.be/~~wiki/Richtlijnen CEST guidelines~~ (in Dutch)] were used as much as possible for this: MP3 for multimedia, PDF for text formats and PNG for image formats. These are all [[raadplegingsbestand\|reference files]], which are smaller in size and lower in quality than [[archiveringsbestand\|archive files]]. ‘Embedded media’ such as YouTube was used for videos, as this saves space in the database and is very easy to work with.		New music therefore often requires '''technical information sheets''' and '''performance instructions'''. These instructions explain how the composer needs to work with the musical content. A technical information sheet lists what equipment is required to perform the composition. In the specific case of the educational scores, this extra information was often unavailable, which is a big obstacle when it comes to producing repeat performances. Some compositions in this collection also give the performers lots of musical freedom, meaning every performance will sound different. But audio clips can still provide lots of information about the composition and be particularly useful when combined with a score. The documentary value of this collection translates mainly into photo and video content, scores, audio clips and texts from programmes and leaflets. To make all this information available to the audience, however, it all had to be packaged in the correct file formats for it to be accessible online. [https://kennisbank.meemoo.be/basisrichtlijnen Guidelines (in Dutch)] were used as much as possible for this: MP3 for multimedia, PDF for text formats and PNG for image formats. These are all [[raadplegingsbestand\|reference files]], which are smaller in size and lower in quality than [[archiveringsbestand\|archive files]]. ‘Embedded media’ such as YouTube was used for videos, as this saves space in the database and is very easy to work with.

	The content itself was collected together by various people in a Dropbox account, so all the information could be shared easily and new content could always be added. The Dropbox account was used as a temporary solution to be able to share content with various partners quickly during the working process.		The content itself was collected together by various people in a Dropbox account, so all the information could be shared easily and new content could always be added. The Dropbox account was used as a temporary solution to be able to share content with various partners quickly during the working process.

Bart Magnus op 3 dec 2021 om 15:52

2021-12-03T15:52:04Z

← Oudere versie		Versie van 3 dec 2021 15:52
Regel 89:		Regel 89:
	''Author: Sanne Van Bellingen (PACKED vzw)''		''Author: Sanne Van Bellingen (PACKED vzw)''

	[[~~Category~~:Praktijkvoorbeelden/en]]		[[Categorie:Praktijkvoorbeelden/en]]

Bart Magnus op 8 sep 2020 om 10:02

2020-09-08T10:02:06Z

← Oudere versie		Versie van 8 sep 2020 10:02
Regel 11:		Regel 11:
	*identify and contact amateurs (performers) (2nd half of 2015)		*identify and contact amateurs (performers) (2nd half of 2015)

	~~The content itself was collected together by various people in a Dropbox account, so all the information could be shared easily~~ and new ~~content could always be added~~. ~~The Dropbox account was used as~~ a ~~temporary solution to be able to share content with various partners quickly during~~ the ~~working process~~.		==Issue==
			MATRIX and TRANSIT have been collaborating closely on arts projects since 2003: TRANSIT commissions MATRIX to realise new productions with amateur musicians. Every year since 2004, a new composition has been specially written for an occasional ensemble of amateur musicians (children, young people and/or adults) from Leuven and the surrounding areas.

	The first phase of the New Music in Leuven project focused on these educational scores. They are all ‘unusual’ scores, which can often only be performed again with help from a recording, performance directions and a word of explanation from the composer. Some scores don’t even consist of notes, but rather of prints, texts or colourful diagrams on transparent plastic sheets, or were possibly even conceived as a board game.		The first phase of the New Music in Leuven project focused on these educational scores. They are all ‘unusual’ scores, which can often only be performed again with help from a recording, performance directions and a word of explanation from the composer. Some scores don’t even consist of notes, but rather of prints, texts or colourful diagrams on transparent plastic sheets, or were possibly even conceived as a board game.
Regel 88:		Regel 89:
	''Author: Sanne Van Bellingen (PACKED vzw)''		''Author: Sanne Van Bellingen (PACKED vzw)''

	[[~~Categorie~~:~~Projects~~]]		[[Category:Praktijkvoorbeelden/en]]

Bart Magnus op 4 sep 2020 om 08:15

2020-09-04T08:15:54Z

← Oudere versie		Versie van 4 sep 2020 08:15
Regel 43:		Regel 43:
	*technical equipment is required (amplifiers, mixing desks, microphones, pedals, etc.).		*technical equipment is required (amplifiers, mixing desks, microphones, pedals, etc.).

	New music therefore often requires '''technical information sheets''' and '''performance instructions'''. These instructions explain how the composer needs to work with the musical content. A technical information sheet lists what equipment is required to perform the composition. In the specific case of the educational scores, this extra information was often unavailable, which is a big obstacle when it comes to producing repeat performances. Some compositions in this collection also give the performers lots of musical freedom, meaning every performance will sound different. But audio clips can still provide lots of information about the composition and be particularly useful when combined with a score. The documentary value of this collection translates mainly into photo and video content, scores, audio clips and texts from programmes and leaflets. To make all this information available to the audience, however, it all had to be packaged in the correct file formats for it to be accessible online. The [http://www.projectcest.be/wiki/Richtlijnen CEST guidelines (in Dutch)] were used as much as possible for this: MP3 for multimedia, PDF for text formats and PNG for image formats. These are all [[raadplegingsbestand\|reference files]], which are smaller in size and lower in quality than [[~~archiefbestand~~\|archive files]]. ‘Embedded media’ such as YouTube was used for videos, as this saves space in the database and is very easy to work with.		New music therefore often requires '''technical information sheets''' and '''performance instructions'''. These instructions explain how the composer needs to work with the musical content. A technical information sheet lists what equipment is required to perform the composition. In the specific case of the educational scores, this extra information was often unavailable, which is a big obstacle when it comes to producing repeat performances. Some compositions in this collection also give the performers lots of musical freedom, meaning every performance will sound different. But audio clips can still provide lots of information about the composition and be particularly useful when combined with a score. The documentary value of this collection translates mainly into photo and video content, scores, audio clips and texts from programmes and leaflets. To make all this information available to the audience, however, it all had to be packaged in the correct file formats for it to be accessible online. The [http://www.projectcest.be/wiki/Richtlijnen CEST guidelines (in Dutch)] were used as much as possible for this: MP3 for multimedia, PDF for text formats and PNG for image formats. These are all [[raadplegingsbestand\|reference files]], which are smaller in size and lower in quality than [[archiveringsbestand\|archive files]]. ‘Embedded media’ such as YouTube was used for videos, as this saves space in the database and is very easy to work with.

	The content itself was collected together by various people in a Dropbox account, so all the information could be shared easily and new content could always be added. The Dropbox account was used as a temporary solution to be able to share content with various partners quickly during the working process.		The content itself was collected together by various people in a Dropbox account, so all the information could be shared easily and new content could always be added. The Dropbox account was used as a temporary solution to be able to share content with various partners quickly during the working process.

Bart Magnus: Nieuwe pagina aangemaakt met 'Categorie:Projects'

2020-09-04T08:13:52Z

Nieuwe pagina aangemaakt met 'Categorie:Projects'

← Oudere versie		Versie van 4 sep 2020 08:13
Regel 88:		Regel 88:
	''Author: Sanne Van Bellingen (PACKED vzw)''		''Author: Sanne Van Bellingen (PACKED vzw)''

	[[Categorie:~~Praktijkvoorbeelden~~]]		[[Categorie:Projects]]

Bart Magnus: Nieuwe pagina aangemaakt met '''Author: Sanne Van Bellingen (PACKED vzw)'''

2020-09-04T08:13:37Z

Nieuwe pagina aangemaakt met '''Author: Sanne Van Bellingen (PACKED vzw)'''

← Oudere versie		Versie van 4 sep 2020 08:13
Regel 86:		Regel 86:
	*Looking for, contacting and following up the rights holders was also quite a time-consuming process. It is therefore recommended to draw up a plan of action in advance for this.		*Looking for, contacting and following up the rights holders was also quite a time-consuming process. It is therefore recommended to draw up a plan of action in advance for this.

	''~~Auteur~~: Sanne Van Bellingen (PACKED vzw)''		''Author: Sanne Van Bellingen (PACKED vzw)''

	[[Categorie:Praktijkvoorbeelden]]		[[Categorie:Praktijkvoorbeelden]]

Bart Magnus: Nieuwe pagina aangemaakt met 'Agreements for various information to be downloadable from the website also had to be reached with composers. It was decided to work with the Creative Commons Licen...'

2020-09-04T08:13:11Z

Nieuwe pagina aangemaakt met 'Agreements for various information to be downloadable from the website also had to be reached with composers. It was decided to work with the Creative Commons Licen...'

← Oudere versie		Versie van 4 sep 2020 08:13
Regel 59:		Regel 59:
	In an initial phase, all the composers whose ‘educational score’ would appear on the website were contacted. They were asked to agree that all the collected material could be posted on the website. The majority of the composers reacted positively; only two composers adopted a more cautious attitude. They first wanted to see how and in what form the material would appear online. Once permission had been received by email, it was then set down in a written contract.		In an initial phase, all the composers whose ‘educational score’ would appear on the website were contacted. They were asked to agree that all the collected material could be posted on the website. The majority of the composers reacted positively; only two composers adopted a more cautious attitude. They first wanted to see how and in what form the material would appear online. Once permission had been received by email, it was then set down in a written contract.

	~~Aangezien men ook verschillende informatie op de~~ website ~~downloadbaar maakt, diende hiervoor ook een overeenkomst opgezet te worden met de componisten~~. ~~Er werd besloten via de~~ Creative Commons ~~License~~ (~~zie ook~~ [[Creative Commons-licentie als een oplossing voor de rechtenproblematiek]]) ~~te werken~~: Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0). ~~Dat wil zeggen dat je vrij bent om~~:		Agreements for various information to be downloadable from the website also had to be reached with composers. It was decided to work with the Creative Commons Licence (see also [[Creative Commons-licentie als een oplossing voor de rechtenproblematiek\|Creative Commons as a solution for the rights problem]]): Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0). This means that you are free to:

	*'''share the work''' – to copy, distribute and forward via any medium or file format		*'''share the work''' – to copy, distribute and forward via any medium or file format

Bart Magnus: Nieuwe pagina aangemaakt met '==Results== *Even though defining rights is an important thing to do, it’s something that only few composers and musicians are already familiar with. Their contac...'

2020-09-04T08:12:48Z

Nieuwe pagina aangemaakt met '==Results== *Even though defining rights is an important thing to do, it’s something that only few composers and musicians are already familiar with. Their contac...'

← Oudere versie		Versie van 4 sep 2020 08:12
Regel 82:		Regel 82:
	The website aims to reach various target groups. On one hand it needs to be a well-documented website about an important Flemish contemporary music festival that appeals to music-lovers. On the other hand, music academies also need to be able to access ready-made, usable content so that amateur musicians can perform this contemporary music. The website therefore had to be inviting enough for people to come and explore, while at the same time being practical to use for those looking for specific information. It was decided together with the web designer to create a visually appealing website with photos that encourage further exploration. An extensive ‘media section’ was also created with all the essentials for each composition: what performers and personnel are required, how long does the work take, and what technical equipment is needed. The information can also all be downloaded and printed. An important aspect of the web design is its ‘backstage’ user-friendliness.		The website aims to reach various target groups. On one hand it needs to be a well-documented website about an important Flemish contemporary music festival that appeals to music-lovers. On the other hand, music academies also need to be able to access ready-made, usable content so that amateur musicians can perform this contemporary music. The website therefore had to be inviting enough for people to come and explore, while at the same time being practical to use for those looking for specific information. It was decided together with the web designer to create a visually appealing website with photos that encourage further exploration. An extensive ‘media section’ was also created with all the essentials for each composition: what performers and personnel are required, how long does the work take, and what technical equipment is needed. The information can also all be downloaded and printed. An important aspect of the web design is its ‘backstage’ user-friendliness.

	==~~Resultaten~~==		==Results==
	* ~~Niettegenstaande het vastleggen van rechten een belangrijke actie~~ is, ~~zijn nog steeds weinig componisten en muzikanten hiermee vertrouwd~~. ~~Voor hun werkte de contactopname sensibiliserend. Sommige componisten kregen hierdoor ook aandacht voor de manier waarop zij werk ter beschikking stelden op bijvoorbeeld hun eigen~~ website.		*Even though defining rights is an important thing to do, it’s something that only few composers and musicians are already familiar with. Their contact with us raised their awareness of the matter, which in turn has helped them make their work available on their own website, for example.
	* ~~Ook het zoeken~~, ~~contacteren en opvolgen van de rechthebbenden~~ was ~~tijdrovend~~. ~~Hiervoor kan beter een~~ plan ~~van aanpak opgesteld worden dat gevolgd dient te worden~~.		*Looking for, contacting and following up the rights holders was also quite a time-consuming process. It is therefore recommended to draw up a plan of action in advance for this.

	''Auteur: Sanne Van Bellingen (PACKED vzw)''		''Auteur: Sanne Van Bellingen (PACKED vzw)''

	[[Categorie:Praktijkvoorbeelden]]		[[Categorie:Praktijkvoorbeelden]]

Bart Magnus: Nieuwe pagina aangemaakt met '===Website=== The website aims to reach various target groups. On one hand it needs to be a well-documented website about an important Flemish contemporary music fe...'

2020-09-04T08:12:25Z

Nieuwe pagina aangemaakt met '===Website=== The website aims to reach various target groups. On one hand it needs to be a well-documented website about an important Flemish contemporary music fe...'

← Oudere versie		Versie van 4 sep 2020 08:12
Regel 80:		Regel 80:

	===Website===		===Website===
	De website ~~wil verschillende doelgroepen bereiken~~. ~~Enerzijds wil men het veld van muziekliefhebbers aanspreken met een goed gedocumenteerde~~ website ~~over een belangrijk Vlaams hedendaags muziekfestival~~. ~~Anderzijds wil men ook de muziekacademies bereiken met kant-en~~-~~klaar~~, ~~bruikbaar materiaal dat het uitvoeren van hedendaagse muziek voor amateurmusici mogelijk maakt~~. De website ~~moest dus uitnodigen tot ontdekken en tegelijk ook praktisch zijn in gebruik voor wie gericht naar informatie zoekt~~. ~~Samen met de webontwerper werd gekozen voor een visueel aantrekkelijke~~ website ~~met foto’s die uitnodigen tot ontdekking~~. ~~Daarnaast werd bij elke compositie een uitgebreid~~ ‘media~~-luik’ aangemaakt met alle benodigdheden~~: ~~er kan snel gezien worden welke bezetting nodig~~ is~~, hoelang het werk duurt en welk technisch materiaal vereist wordt~~. ~~De informatie is ook allemaal te downloaden en af te printen~~. ~~Een belangrijk onderdeel van het webdesign~~ is ~~de gebruiksvriendelijkheid van de~~ ‘backstage’.		The website aims to reach various target groups. On one hand it needs to be a well-documented website about an important Flemish contemporary music festival that appeals to music-lovers. On the other hand, music academies also need to be able to access ready-made, usable content so that amateur musicians can perform this contemporary music. The website therefore had to be inviting enough for people to come and explore, while at the same time being practical to use for those looking for specific information. It was decided together with the web designer to create a visually appealing website with photos that encourage further exploration. An extensive ‘media section’ was also created with all the essentials for each composition: what performers and personnel are required, how long does the work take, and what technical equipment is needed. The information can also all be downloaded and printed. An important aspect of the web design is its ‘backstage’ user-friendliness.

	==Resultaten==		==Resultaten==

Bart Magnus: Nieuwe pagina aangemaakt met 'In a second stage, MATRIX wants to appeal to all performers, photographers, etc. to ask people to agree with regard to portrait right, copyright and related rights....'

2020-09-04T08:12:05Z

Nieuwe pagina aangemaakt met 'In a second stage, MATRIX wants to appeal to all performers, photographers, etc. to ask people to agree with regard to portrait right, copyright and related rights....'

← Oudere versie		Versie van 4 sep 2020 08:12
Regel 77:		Regel 77:
	If some composers do not agree with this, a different agreement can be sought. Even though this has not happened yet, some solutions have already been considered: publication with a watermark, only make the first few pages downloadable, etc.		If some composers do not agree with this, a different agreement can be sought. Even though this has not happened yet, some solutions have already been considered: publication with a watermark, only make the first few pages downloadable, etc.

	In ~~een tweede stap wil~~ MATRIX ~~alle uitvoerders~~, ~~fotografen e~~.~~a. personen aanspreken om hun akkoord te vragen i.v.m. portret-~~, ~~auteurs- en naburige rechten~~. ~~Dit~~ is ~~een intensief werk aangezien niet alle contactinformatie even gemakkelijk~~ is ~~terug te vinden~~. ~~Vele uitvoerders die toen nog een kind waren, zijn ondertussen ook volwassen~~, ~~wat het moeilijker maakt om hen te identificeren en te contacteren~~. ~~De contactgegevens zijn tevens niet altijd bewaard gebleven~~ of ~~zijn verouderd~~. ~~Dit vormt een blijvend aandachtspunt gedurende de komende weken en maanden~~. ~~In afwachting werd een risico-analyse gedaan en werd het meeste materiaal wel al~~ online ~~geplaatst~~. ~~Enkel met de~~ audio ~~wil men eerst op de schriftelijk toestemming wachten~~.		In a second stage, MATRIX wants to appeal to all performers, photographers, etc. to ask people to agree with regard to portrait right, copyright and related rights. This is quite intensive work as not all contact information is easy to find. Lots of performers were still children at the time but are now adults, which makes it harder to identify and contact them. And contact details have not always been saved or are out of date. This will be a continuing point of attention over the coming weeks and months. A risk analysis has been conducted and most of the content has already been posted online in the meantime. We just want to wait for written permission for the audio first.

	===Website===		===Website===