Translations:Archiefzorg bij Annie Gentils Gallery/78/en

Once all the material had been gathered together, it was time to start identifying the documents. All the documents were laid on a table and ordered chronologically by exhibition. The ‘remaining documents’ (mainly photos) were examined together with Annie Gentils. As the creator she knows the context of these documents and was able to identify them.

Since various folders of photo material and documents from various exhibitions were mixed up, an alphabetical list of artists by exhibition was also created. Loose photos and documents were then linked to the appropriate exhibition.

The content of the audiovisual tapes was not known. There was no device on which to look at the tapes and film material.