https://wiki.projecttracks.be/index.php?title=Registratie_en_identificatie_van_video-_en_audiotapes_bij_Damaged_Goods_voor_digitalisering/en&feed=atom&action=historyRegistratie en identificatie van video- en audiotapes bij Damaged Goods voor digitalisering/en - Bewerkingsoverzicht2024-03-29T05:11:35ZBewerkingsoverzicht voor deze pagina op de wikiMediaWiki 1.35.1https://wiki.projecttracks.be/index.php?title=Registratie_en_identificatie_van_video-_en_audiotapes_bij_Damaged_Goods_voor_digitalisering/en&diff=13693&oldid=prevFuzzyBot: Bijgewerkt vanwege een nieuwe basisversie van de bronpagina2023-09-08T17:49:48Z<p>Bijgewerkt vanwege een nieuwe basisversie van de bronpagina</p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Oudere versie</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Versie van 8 sep 2023 17:49</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l23" >Regel 23:</td>
<td colspan="2" class="diff-lineno">Regel 23:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* the far from ideal storage, which accelerates the deterioration of the media in the audiovisual archive, namely in an attic space that gets extremely hot in summer.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* the far from ideal storage, which accelerates the deterioration of the media in the audiovisual archive, namely in an attic space that gets extremely hot in summer.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The best solution for preserving the content of the tapes and keeping them accessible is digitisation <del class="diffchange diffchange-inline"><ref>http://www.scart.be/?q=nl/content/wat-telt-de-inhoud-en-meestal-niet-de-plastic-drager (only in Dutch)</ref></del>. This involves producing first archive files, and then reference files. An archive file is a digital copy of the highest possible quality – preferably of a high enough quality to replace the original should it be destroyed or damaged; a reference copy is a digital copy that is used to make a video or audio recording available digitally (online). In addition to this, there is sometimes a reproduction file. This is an intermediary/archive file that is used to make different sorts of reference files. Due to economic considerations, the decision is often made to use the same specifications for the different types of files. This saves not only storage space, but also transcoding time and infrastructure.</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline"><div class="mw-translate-fuzzy"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The best solution for preserving the content of the tapes and keeping them accessible is digitisation. This involves producing first archive files, and then reference files. An archive file is a digital copy of the highest possible quality – preferably of a high enough quality to replace the original should it be destroyed or damaged; a reference copy is a digital copy that is used to make a video or audio recording available digitally (online). In addition to this, there is sometimes a reproduction file. This is an intermediary/archive file that is used to make different sorts of reference files. Due to economic considerations, the decision is often made to use the same specifications for the different types of files. This saves not only storage space, but also transcoding time and infrastructure.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline"></div></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Damaged Goods contacted PACKED vzw in May 2014 requesting contact details for digitisation labs. Damaged Goods wanted to digitise the performance recordings in order to have a readable recording of every performance, with a sound and image quality that is close to the original. PACKED vzw provided Damaged Goods with the requested information about digitisation labs. Damaged Goods then requested quotes from two labs. A joint consultation revealed that it was difficult for the organisation to request good quotes due to their lack of expertise and knowhow about quality requirements. The quality requirements that they had drawn up were insufficiently specific, meaning that the resulting request for a quote was too open to interpretation. In consequence, Damaged Goods was unable to compare the quotes they received properly in terms of the suggested price and of quality.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Damaged Goods contacted PACKED vzw in May 2014 requesting contact details for digitisation labs. Damaged Goods wanted to digitise the performance recordings in order to have a readable recording of every performance, with a sound and image quality that is close to the original. PACKED vzw provided Damaged Goods with the requested information about digitisation labs. Damaged Goods then requested quotes from two labs. A joint consultation revealed that it was difficult for the organisation to request good quotes due to their lack of expertise and knowhow about quality requirements. The quality requirements that they had drawn up were insufficiently specific, meaning that the resulting request for a quote was too open to interpretation. In consequence, Damaged Goods was unable to compare the quotes they received properly in terms of the suggested price and of quality.</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l54" >Regel 54:</td>
<td colspan="2" class="diff-lineno">Regel 56:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>It is not possible for arts organisations to work directly with VIAA as a partner concerned with content, but VIAA does enter into partnerships with collection managing institutions. Because it is not in principle part of arts organisations’ mission to guarantee the sustainable accessibility of their audiovisual archive, VIAA prefers collaborations with arts organisations to take place via a collection managing institution, which then takes on the intermediary role, and also commits to preserving the digitised material in the long term. For the Damaged Goods archive, VTi is taking on this role. Also, VTi is not a collection managing institution like the museums, cultural archives or heritage libraries that operate within the cultural heritage sector, but one of its missions is to fulfil the role of documentation centre for the performing arts.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>It is not possible for arts organisations to work directly with VIAA as a partner concerned with content, but VIAA does enter into partnerships with collection managing institutions. Because it is not in principle part of arts organisations’ mission to guarantee the sustainable accessibility of their audiovisual archive, VIAA prefers collaborations with arts organisations to take place via a collection managing institution, which then takes on the intermediary role, and also commits to preserving the digitised material in the long term. For the Damaged Goods archive, VTi is taking on this role. Also, VTi is not a collection managing institution like the museums, cultural archives or heritage libraries that operate within the cultural heritage sector, but one of its missions is to fulfil the role of documentation centre for the performing arts.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"><div class="mw-translate-fuzzy"></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>VIAA’s digitisation projects are organised in separate phases and are always concentrate on a particular type of medium. The aim of this is an increase in scale that yields economic advantages. The first phase, which began in 2013, concentrates on ¾” U-matic, Betacam SP, compact audio cassettes and open-reel audiotapes. The second phase, which began in 2014, concentrates on audio CD-R, wax cylinders, wire recorder reels, Betamax, VCR and open reel videotapes.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>VIAA’s digitisation projects are organised in separate phases and are always concentrate on a particular type of medium. The aim of this is an increase in scale that yields economic advantages. The first phase, which began in 2013, concentrates on ¾” U-matic, Betacam SP, compact audio cassettes and open-reel audiotapes. The second phase, which began in 2014, concentrates on audio CD-R, wax cylinders, wire recorder reels, Betamax, VCR and open reel videotapes.</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></div></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"><div class="mw-translate-fuzzy"></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>This means that thanks to VTi’s involvement, the Betacam SP-cassettes have already been digitised by VIAA. For the other formats, it is currently a question of waiting for the next phases of digitisation. Another option is for the company to go ahead and task digitisation labs with the digitisation of the images. Damaged Goods suspects that some of its MiniDVs are already damaged, but this format is included in neither the first nor the second digitisation phase.<ref>During the course of 2015, VIAA and PACKED vzw are setting up schemes in collaboration with the collection management institutions to acquire and digitise the audiovisual heritage recorded in amateur formats. http://viaa.be/en/digitisation/amateur-recording-formats/</ref></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>This means that thanks to VTi’s involvement, the Betacam SP-cassettes have already been digitised by VIAA. For the other formats, it is currently a question of waiting for the next phases of digitisation. Another option is for the company to go ahead and task digitisation labs with the digitisation of the images. Damaged Goods suspects that some of its MiniDVs are already damaged, but this format is included in neither the first nor the second digitisation phase.<ref>During the course of 2015, VIAA and PACKED vzw are setting up schemes in collaboration with the collection management institutions to acquire and digitise the audiovisual heritage recorded in amateur formats. http://viaa.be/en/digitisation/amateur-recording-formats/</ref></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></div></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The subsequent action plan was agreed by PACKED vzw with Damaged Goods:</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The subsequent action plan was agreed by PACKED vzw with Damaged Goods:</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l93" >Regel 93:</td>
<td colspan="2" class="diff-lineno">Regel 91:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Bestand:20140618_DamagedGoods_03.jpg|600px|class=align-left]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Bestand:20140618_DamagedGoods_03.jpg|600px|class=align-left]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"><div class="mw-translate-fuzzy"></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The template was filled in as follows:</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The template was filled in as follows:</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* '''CP (content provider)''': This is the person or organisation managing the audiovisual archive. The official name of the organisation (in this case Damaged Goods) is filled in here.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* '''CP (content provider)''': This is the person or organisation managing the audiovisual archive. The official name of the organisation (in this case Damaged Goods) is filled in here.</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l106" >Regel 106:</td>
<td colspan="2" class="diff-lineno">Regel 103:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* '''Comments''': In this field, extra information is added that can be relevant to the digitisation, such as the recording standards (PAL, NTSC, SECAM). This technical information is important when playing and digitising the tapes.<ref>http://www.scart.be/?q=nl/content/beknopte-handleiding-voor-het-identificeren-van-u-matic-en-betacam, only in Dutch</ref></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* '''Comments''': In this field, extra information is added that can be relevant to the digitisation, such as the recording standards (PAL, NTSC, SECAM). This technical information is important when playing and digitising the tapes.<ref>http://www.scart.be/?q=nl/content/beknopte-handleiding-voor-het-identificeren-van-u-matic-en-betacam, only in Dutch</ref></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* '''To be digitised through the VTi''': In this field, we indicate which cassettes are already being sent off to the VTi to be digitised in the first phase.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* '''To be digitised through the VTi''': In this field, we indicate which cassettes are already being sent off to the VTi to be digitised in the first phase.</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></div></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Voor meer informatie over het identificeren van film, audio- en videocassettes kan je volgende links raadplegen:</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Voor meer informatie over het identificeren van film, audio- en videocassettes kan je volgende links raadplegen:</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* <del class="diffchange diffchange-inline">[http://www.scart.be/?q=nl/content/beknopte-handleiding-voor-het-identificeren-van-u-matic-en-betacam </del>U-matic en Betacam<del class="diffchange diffchange-inline">]</del>;</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* U-matic en Betacam;</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* <del class="diffchange diffchange-inline">[https://www.arts.texas.gov/wp-content/uploads/2012/04/video.pdf </del>videotapes<del class="diffchange diffchange-inline">]</del>;</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* videotapes;</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* <del class="diffchange diffchange-inline">[https://www.fonoteca.ch/index_it.htm </del>geluidsdragers<del class="diffchange diffchange-inline">]</del>;</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* geluidsdragers;</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* <del class="diffchange diffchange-inline">[http://www.scart.be/?q=nl/content/beknopte-handleiding-voor-het-identificeren-van-</del>analoge<del class="diffchange diffchange-inline">-</del>audiotapeformaten <del class="diffchange diffchange-inline">analoge audiotapeformaten]</del>;</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* analoge audiotapeformaten;</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* <del class="diffchange diffchange-inline">[http://www.scart.be/?q=nl/content/beknopte-handleiding-voor-het-identificeren-van-nitraatfilms-en-verval-ten-gevolge-het </del>(nitraat)film<del class="diffchange diffchange-inline">]</del>;</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* (nitraat)film;</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* <del class="diffchange diffchange-inline">[http://www.nfsa.gov.au/preservation/handbook/film-identification-and-handling/film-identification/ </del>film<del class="diffchange diffchange-inline">]</del>.</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* film.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In November 2014, Damaged Goods recruited volunteers to register the remaining video tapes. PACKED vzw will help to follow this up and will support the volunteers. Based on the temporary, current inventory, model descriptions will be drawn up on which the volunteers can base their work.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In November 2014, Damaged Goods recruited volunteers to register the remaining video tapes. PACKED vzw will help to follow this up and will support the volunteers. Based on the temporary, current inventory, model descriptions will be drawn up on which the volunteers can base their work.</div></td></tr>
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</table>FuzzyBothttps://wiki.projecttracks.be/index.php?title=Registratie_en_identificatie_van_video-_en_audiotapes_bij_Damaged_Goods_voor_digitalisering/en&diff=4940&oldid=prevFuzzyBot: Bijgewerkt vanwege een nieuwe basisversie van de bronpagina2020-10-05T13:44:22Z<p>Bijgewerkt vanwege een nieuwe basisversie van de bronpagina</p>
<table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface">
<col class="diff-marker" />
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Oudere versie</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Versie van 5 okt 2020 13:44</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l54" >Regel 54:</td>
<td colspan="2" class="diff-lineno">Regel 54:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>It is not possible for arts organisations to work directly with VIAA as a partner concerned with content, but VIAA does enter into partnerships with collection managing institutions. Because it is not in principle part of arts organisations’ mission to guarantee the sustainable accessibility of their audiovisual archive, VIAA prefers collaborations with arts organisations to take place via a collection managing institution, which then takes on the intermediary role, and also commits to preserving the digitised material in the long term. For the Damaged Goods archive, VTi is taking on this role. Also, VTi is not a collection managing institution like the museums, cultural archives or heritage libraries that operate within the cultural heritage sector, but one of its missions is to fulfil the role of documentation centre for the performing arts.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>It is not possible for arts organisations to work directly with VIAA as a partner concerned with content, but VIAA does enter into partnerships with collection managing institutions. Because it is not in principle part of arts organisations’ mission to guarantee the sustainable accessibility of their audiovisual archive, VIAA prefers collaborations with arts organisations to take place via a collection managing institution, which then takes on the intermediary role, and also commits to preserving the digitised material in the long term. For the Damaged Goods archive, VTi is taking on this role. Also, VTi is not a collection managing institution like the museums, cultural archives or heritage libraries that operate within the cultural heritage sector, but one of its missions is to fulfil the role of documentation centre for the performing arts.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><div class="mw-translate-fuzzy"></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>VIAA’s digitisation projects are organised in separate phases and are always concentrate on a particular type of medium. The aim of this is an increase in scale that yields economic advantages. The first phase, which began in 2013, concentrates on ¾” U-matic, Betacam SP, compact audio cassettes and open-reel audiotapes. The second phase, which began in 2014, concentrates on audio CD-R, wax cylinders, wire recorder reels, Betamax, VCR and open reel videotapes.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>VIAA’s digitisation projects are organised in separate phases and are always concentrate on a particular type of medium. The aim of this is an increase in scale that yields economic advantages. The first phase, which began in 2013, concentrates on ¾” U-matic, Betacam SP, compact audio cassettes and open-reel audiotapes. The second phase, which began in 2014, concentrates on audio CD-R, wax cylinders, wire recorder reels, Betamax, VCR and open reel videotapes.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></div></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><div class="mw-translate-fuzzy"></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>This means that thanks to VTi’s involvement, the Betacam SP-cassettes have already been digitised by VIAA. For the other formats, it is currently a question of waiting for the next phases of digitisation. Another option is for the company to go ahead and task digitisation labs with the digitisation of the images. Damaged Goods suspects that some of its MiniDVs are already damaged, but this format is included in neither the first nor the second digitisation phase.<ref>During the course of 2015, VIAA and PACKED vzw are setting up schemes in collaboration with the collection management institutions to acquire and digitise the audiovisual heritage recorded in amateur formats. http://viaa.be/en/digitisation/amateur-recording-formats/</ref></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>This means that thanks to VTi’s involvement, the Betacam SP-cassettes have already been digitised by VIAA. For the other formats, it is currently a question of waiting for the next phases of digitisation. Another option is for the company to go ahead and task digitisation labs with the digitisation of the images. Damaged Goods suspects that some of its MiniDVs are already damaged, but this format is included in neither the first nor the second digitisation phase.<ref>During the course of 2015, VIAA and PACKED vzw are setting up schemes in collaboration with the collection management institutions to acquire and digitise the audiovisual heritage recorded in amateur formats. http://viaa.be/en/digitisation/amateur-recording-formats/</ref></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></div></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The subsequent action plan was agreed by PACKED vzw with Damaged Goods:</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The subsequent action plan was agreed by PACKED vzw with Damaged Goods:</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l89" >Regel 89:</td>
<td colspan="2" class="diff-lineno">Regel 93:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Bestand:20140618_DamagedGoods_03.jpg|600px|class=align-left]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Bestand:20140618_DamagedGoods_03.jpg|600px|class=align-left]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><div class="mw-translate-fuzzy"></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The template was filled in as follows:</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The template was filled in as follows:</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* '''CP (content provider)''': This is the person or organisation managing the audiovisual archive. The official name of the organisation (in this case Damaged Goods) is filled in here.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* '''CP (content provider)''': This is the person or organisation managing the audiovisual archive. The official name of the organisation (in this case Damaged Goods) is filled in here.</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l101" >Regel 101:</td>
<td colspan="2" class="diff-lineno">Regel 106:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* '''Comments''': In this field, extra information is added that can be relevant to the digitisation, such as the recording standards (PAL, NTSC, SECAM). This technical information is important when playing and digitising the tapes.<ref>http://www.scart.be/?q=nl/content/beknopte-handleiding-voor-het-identificeren-van-u-matic-en-betacam, only in Dutch</ref></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* '''Comments''': In this field, extra information is added that can be relevant to the digitisation, such as the recording standards (PAL, NTSC, SECAM). This technical information is important when playing and digitising the tapes.<ref>http://www.scart.be/?q=nl/content/beknopte-handleiding-voor-het-identificeren-van-u-matic-en-betacam, only in Dutch</ref></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* '''To be digitised through the VTi''': In this field, we indicate which cassettes are already being sent off to the VTi to be digitised in the first phase.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* '''To be digitised through the VTi''': In this field, we indicate which cassettes are already being sent off to the VTi to be digitised in the first phase.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></div></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Voor meer informatie over het identificeren van film, audio- en videocassettes kan je volgende links raadplegen:</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Voor meer informatie over het identificeren van film, audio- en videocassettes kan je volgende links raadplegen:</div></td></tr>
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</table>FuzzyBothttps://wiki.projecttracks.be/index.php?title=Registratie_en_identificatie_van_video-_en_audiotapes_bij_Damaged_Goods_voor_digitalisering/en&diff=4811&oldid=prevNastasia op 28 sep 2020 om 15:382020-09-28T15:38:20Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Oudere versie</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Versie van 28 sep 2020 15:38</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l99" >Regel 99:</td>
<td colspan="2" class="diff-lineno">Regel 99:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* '''Date''': The date on which the video was made. This is filled in according to the template yyyy-mm-dd. If one element was not known, an ‘x’ was inserted. E.g. 2001-12-14, 2001-12-xx or xxxx-xx-xx.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* '''Date''': The date on which the video was made. This is filled in according to the template yyyy-mm-dd. If one element was not known, an ‘x’ was inserted. E.g. 2001-12-14, 2001-12-xx or xxxx-xx-xx.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* '''Duration''': The total length of the tape or disc. This is usually mentioned in the product name, e.g. a Sony DT-120 has a total length of 120 minutes. The length is filled in according to the template h:mm:ss. 120 minutes is therefore 2:00:00.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* '''Duration''': The total length of the tape or disc. This is usually mentioned in the product name, e.g. a Sony DT-120 has a total length of 120 minutes. The length is filled in according to the template h:mm:ss. 120 minutes is therefore 2:00:00.</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* '''Comments''': In this field, extra information is added that can be relevant to the digitisation, such as the recording standards (PAL, NTSC, SECAM). This technical information is important when playing and digitising the tapes.<del class="diffchange diffchange-inline">[[footnote|</del>http://www.scart.be/?q=nl/content/beknopte-handleiding-voor-het-identificeren-van-u-matic-en-betacam, only in Dutch<del class="diffchange diffchange-inline">]]</del></div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* '''Comments''': In this field, extra information is added that can be relevant to the digitisation, such as the recording standards (PAL, NTSC, SECAM). This technical information is important when playing and digitising the tapes.<ins class="diffchange diffchange-inline"><ref></ins>http://www.scart.be/?q=nl/content/beknopte-handleiding-voor-het-identificeren-van-u-matic-en-betacam, only in Dutch<ins class="diffchange diffchange-inline"></ref></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* '''To be digitised through the VTi''': In this field, we indicate which cassettes are already being sent off to the VTi to be digitised in the first phase.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* '''To be digitised through the VTi''': In this field, we indicate which cassettes are already being sent off to the VTi to be digitised in the first phase.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
</table>Nastasiahttps://wiki.projecttracks.be/index.php?title=Registratie_en_identificatie_van_video-_en_audiotapes_bij_Damaged_Goods_voor_digitalisering/en&diff=4809&oldid=prevNastasia op 28 sep 2020 om 15:372020-09-28T15:37:59Z<p></p>
<table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
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<col class="diff-content" />
<tr class="diff-title" lang="nl">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Oudere versie</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Versie van 28 sep 2020 15:37</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l67" >Regel 67:</td>
<td colspan="2" class="diff-lineno">Regel 67:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Bestand:20140618_DamagedGoods_02.jpg|600px|class=align-left]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Bestand:20140618_DamagedGoods_02.jpg|600px|class=align-left]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"><div class="mw-translate-fuzzy"></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Inventorying the audiovisual archive===</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Inventorying the audiovisual archive===</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The first step was to create an inventory of the audiovisual material at Damaged Goods in order to create an overview of the archive. This was done using the template that PACKED vzw and the VIAA have created to collect information for the digitisation of video and audio. For the registration with Damaged Goods, we restricted ourselves to the fields that were relevant to the company’s audiovisual archive. You can see the adapted template [[Bestand:Registratiesjabloon_DG.xlsx|here]] (only in Dutch).</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The first step was to create an inventory of the audiovisual material at Damaged Goods in order to create an overview of the archive. This was done using the <ins class="diffchange diffchange-inline">[[:Bestand:Registratiesjabloon_meemoo_2.xlsx|</ins>template<ins class="diffchange diffchange-inline">]] </ins>that PACKED vzw and the VIAA have created to collect information for the digitisation of video and audio. For the registration with Damaged Goods, we restricted ourselves to the fields that were relevant to the company’s audiovisual archive. You can see the adapted template [[<ins class="diffchange diffchange-inline">:</ins>Bestand:Registratiesjabloon_DG.xlsx|here]] (only in Dutch).</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline"></div></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>On 16 and 18 July 2014, PACKED vzw and Het Firmament spent a day and a half compiling the inventory. A member of staff from Damaged Goods helped to number and identify the tapes. In this period of time, 436 video and audio carriers were inventoried:</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>On 16 and 18 July 2014, PACKED vzw and Het Firmament spent a day and a half compiling the inventory. A member of staff from Damaged Goods helped to number and identify the tapes. In this period of time, 436 video and audio carriers were inventoried:</div></td></tr>
</table>Nastasiahttps://wiki.projecttracks.be/index.php?title=Registratie_en_identificatie_van_video-_en_audiotapes_bij_Damaged_Goods_voor_digitalisering/en&diff=4807&oldid=prevNastasia op 28 sep 2020 om 15:372020-09-28T15:37:07Z<p></p>
<table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="nl">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Oudere versie</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Versie van 28 sep 2020 15:37</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l56" >Regel 56:</td>
<td colspan="2" class="diff-lineno">Regel 56:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>VIAA’s digitisation projects are organised in separate phases and are always concentrate on a particular type of medium. The aim of this is an increase in scale that yields economic advantages. The first phase, which began in 2013, concentrates on ¾” U-matic, Betacam SP, compact audio cassettes and open-reel audiotapes. The second phase, which began in 2014, concentrates on audio CD-R, wax cylinders, wire recorder reels, Betamax, VCR and open reel videotapes.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>VIAA’s digitisation projects are organised in separate phases and are always concentrate on a particular type of medium. The aim of this is an increase in scale that yields economic advantages. The first phase, which began in 2013, concentrates on ¾” U-matic, Betacam SP, compact audio cassettes and open-reel audiotapes. The second phase, which began in 2014, concentrates on audio CD-R, wax cylinders, wire recorder reels, Betamax, VCR and open reel videotapes.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>This means that thanks to VTi’s involvement, the Betacam SP-cassettes have already been digitised by VIAA. For the other formats, it is currently a question of waiting for the next phases of digitisation. Another option is for the company to go ahead and task digitisation labs with the digitisation of the images. Damaged Goods suspects that some of its MiniDVs are already damaged, but this format is included in neither the first nor the second digitisation phase.<del class="diffchange diffchange-inline">[[footnote|</del>During the course of 2015, VIAA and PACKED vzw are setting up schemes in collaboration with the collection management institutions to acquire and digitise the audiovisual heritage recorded in amateur formats. http://viaa.be/en/digitisation/amateur-recording-formats/<del class="diffchange diffchange-inline">]]</del></div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>This means that thanks to VTi’s involvement, the Betacam SP-cassettes have already been digitised by VIAA. For the other formats, it is currently a question of waiting for the next phases of digitisation. Another option is for the company to go ahead and task digitisation labs with the digitisation of the images. Damaged Goods suspects that some of its MiniDVs are already damaged, but this format is included in neither the first nor the second digitisation phase.<ins class="diffchange diffchange-inline"><ref></ins>During the course of 2015, VIAA and PACKED vzw are setting up schemes in collaboration with the collection management institutions to acquire and digitise the audiovisual heritage recorded in amateur formats. http://viaa.be/en/digitisation/amateur-recording-formats/<ins class="diffchange diffchange-inline"></ref></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The subsequent action plan was agreed by PACKED vzw with Damaged Goods:</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The subsequent action plan was agreed by PACKED vzw with Damaged Goods:</div></td></tr>
</table>Nastasiahttps://wiki.projecttracks.be/index.php?title=Registratie_en_identificatie_van_video-_en_audiotapes_bij_Damaged_Goods_voor_digitalisering/en&diff=4805&oldid=prevNastasia op 28 sep 2020 om 15:362020-09-28T15:36:42Z<p></p>
<table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
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<col class="diff-content" />
<tr class="diff-title" lang="nl">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Oudere versie</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Versie van 28 sep 2020 15:36</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l49" >Regel 49:</td>
<td colspan="2" class="diff-lineno">Regel 49:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Determining the method===</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Determining the method===</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>PACKED vzw contacted VIAA to see whether Damaged Goods’ audiovisual archive would fit into VIAA’s digitisation projects.</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>PACKED vzw contacted VIAA to see whether Damaged Goods’ audiovisual archive would fit into VIAA’s digitisation projects<ins class="diffchange diffchange-inline"><ref>VIAA is an institution that was set up in late 2012 by the Flemish government. The goal of VIAA is to digitise heritage, to create sustainable digital archives and make them available for education, research and the wider public via public libraries. Today, VIAA does this in the first instance for the audiovisual heritage, but its task not limited to this. In practice, one of the things that this means is that VIAA coordinates large-scale digitisation projects of material from both the broadcasting and the cultural sectors, and also bears the costs of this. The resulting files are stored in its own digital depot. The content partners can manage and use their digitised material via an online system made available to them by VIAA. VIAA itself can make the material available (in a non-exclusive manner) for educational and research purposes, and in public libraries.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline"></ref></ins>.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>It is not possible for arts organisations to work directly with VIAA as a partner concerned with content, but VIAA does enter into partnerships with collection managing institutions. Because it is not in principle part of arts organisations’ mission to guarantee the sustainable accessibility of their audiovisual archive, VIAA prefers collaborations with arts organisations to take place via a collection managing institution, which then takes on the intermediary role, and also commits to preserving the digitised material in the long term. For the Damaged Goods archive, VTi is taking on this role. Also, VTi is not a collection managing institution like the museums, cultural archives or heritage libraries that operate within the cultural heritage sector, but one of its missions is to fulfil the role of documentation centre for the performing arts.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>It is not possible for arts organisations to work directly with VIAA as a partner concerned with content, but VIAA does enter into partnerships with collection managing institutions. Because it is not in principle part of arts organisations’ mission to guarantee the sustainable accessibility of their audiovisual archive, VIAA prefers collaborations with arts organisations to take place via a collection managing institution, which then takes on the intermediary role, and also commits to preserving the digitised material in the long term. For the Damaged Goods archive, VTi is taking on this role. Also, VTi is not a collection managing institution like the museums, cultural archives or heritage libraries that operate within the cultural heritage sector, but one of its missions is to fulfil the role of documentation centre for the performing arts.</div></td></tr>
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</table>Nastasiahttps://wiki.projecttracks.be/index.php?title=Registratie_en_identificatie_van_video-_en_audiotapes_bij_Damaged_Goods_voor_digitalisering/en&diff=4803&oldid=prevNastasia op 28 sep 2020 om 15:362020-09-28T15:36:28Z<p></p>
<table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface">
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<col class="diff-content" />
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<tr class="diff-title" lang="nl">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Oudere versie</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Versie van 28 sep 2020 15:36</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l50" >Regel 50:</td>
<td colspan="2" class="diff-lineno">Regel 50:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Determining the method===</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Determining the method===</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>PACKED vzw contacted VIAA to see whether Damaged Goods’ audiovisual archive would fit into VIAA’s digitisation projects.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>PACKED vzw contacted VIAA to see whether Damaged Goods’ audiovisual archive would fit into VIAA’s digitisation projects.</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">VIAA is an institution that was set up in late 2012 by the Flemish government. The goal of VIAA is to digitise heritage, to create sustainable digital archives and make them available for education, research and the wider public via public libraries. Today, VIAA does this in the first instance for the audiovisual heritage, but its task not limited to this. In practice, one of the things that this means is that VIAA coordinates large-scale digitisation projects of material from both the broadcasting and the cultural sectors, and also bears the costs of this. The resulting files are stored in its own digital depot. The content partners can manage and use their digitised material via an online system made available to them by VIAA. VIAA itself can make the material available (in a non-exclusive manner) for educational and research purposes, and in public libraries.</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>It is not possible for arts organisations to work directly with VIAA as a partner concerned with content, but VIAA does enter into partnerships with collection managing institutions. Because it is not in principle part of arts organisations’ mission to guarantee the sustainable accessibility of their audiovisual archive, VIAA prefers collaborations with arts organisations to take place via a collection managing institution, which then takes on the intermediary role, and also commits to preserving the digitised material in the long term. For the Damaged Goods archive, VTi is taking on this role. Also, VTi is not a collection managing institution like the museums, cultural archives or heritage libraries that operate within the cultural heritage sector, but one of its missions is to fulfil the role of documentation centre for the performing arts.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>It is not possible for arts organisations to work directly with VIAA as a partner concerned with content, but VIAA does enter into partnerships with collection managing institutions. Because it is not in principle part of arts organisations’ mission to guarantee the sustainable accessibility of their audiovisual archive, VIAA prefers collaborations with arts organisations to take place via a collection managing institution, which then takes on the intermediary role, and also commits to preserving the digitised material in the long term. For the Damaged Goods archive, VTi is taking on this role. Also, VTi is not a collection managing institution like the museums, cultural archives or heritage libraries that operate within the cultural heritage sector, but one of its missions is to fulfil the role of documentation centre for the performing arts.</div></td></tr>
</table>Nastasiahttps://wiki.projecttracks.be/index.php?title=Registratie_en_identificatie_van_video-_en_audiotapes_bij_Damaged_Goods_voor_digitalisering/en&diff=4801&oldid=prevNastasia op 28 sep 2020 om 15:352020-09-28T15:35:41Z<p></p>
<table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="nl">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Oudere versie</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Versie van 28 sep 2020 15:35</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l23" >Regel 23:</td>
<td colspan="2" class="diff-lineno">Regel 23:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* the far from ideal storage, which accelerates the deterioration of the media in the audiovisual archive, namely in an attic space that gets extremely hot in summer.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* the far from ideal storage, which accelerates the deterioration of the media in the audiovisual archive, namely in an attic space that gets extremely hot in summer.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The best solution for preserving the content of the tapes and keeping them accessible is digitisation <del class="diffchange diffchange-inline">[</del>http://www.scart.be/?q=nl/content/wat-telt-de-inhoud-en-meestal-niet-de-plastic-drager<del class="diffchange diffchange-inline">], </del>(only in Dutch). This involves producing first archive files, and then reference files. An archive file is a digital copy of the highest possible quality – preferably of a high enough quality to replace the original should it be destroyed or damaged; a reference copy is a digital copy that is used to make a video or audio recording available digitally (online). In addition to this, there is sometimes a reproduction file. This is an intermediary/archive file that is used to make different sorts of reference files. Due to economic considerations, the decision is often made to use the same specifications for the different types of files. This saves not only storage space, but also transcoding time and infrastructure.</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The best solution for preserving the content of the tapes and keeping them accessible is digitisation <ins class="diffchange diffchange-inline"><ref></ins>http://www.scart.be/?q=nl/content/wat-telt-de-inhoud-en-meestal-niet-de-plastic-drager (only in Dutch)<ins class="diffchange diffchange-inline"></ref></ins>. This involves producing first archive files, and then reference files. An archive file is a digital copy of the highest possible quality – preferably of a high enough quality to replace the original should it be destroyed or damaged; a reference copy is a digital copy that is used to make a video or audio recording available digitally (online). In addition to this, there is sometimes a reproduction file. This is an intermediary/archive file that is used to make different sorts of reference files. Due to economic considerations, the decision is often made to use the same specifications for the different types of files. This saves not only storage space, but also transcoding time and infrastructure.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Damaged Goods contacted PACKED vzw in May 2014 requesting contact details for digitisation labs. Damaged Goods wanted to digitise the performance recordings in order to have a readable recording of every performance, with a sound and image quality that is close to the original. PACKED vzw provided Damaged Goods with the requested information about digitisation labs. Damaged Goods then requested quotes from two labs. A joint consultation revealed that it was difficult for the organisation to request good quotes due to their lack of expertise and knowhow about quality requirements. The quality requirements that they had drawn up were insufficiently specific, meaning that the resulting request for a quote was too open to interpretation. In consequence, Damaged Goods was unable to compare the quotes they received properly in terms of the suggested price and of quality.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Damaged Goods contacted PACKED vzw in May 2014 requesting contact details for digitisation labs. Damaged Goods wanted to digitise the performance recordings in order to have a readable recording of every performance, with a sound and image quality that is close to the original. PACKED vzw provided Damaged Goods with the requested information about digitisation labs. Damaged Goods then requested quotes from two labs. A joint consultation revealed that it was difficult for the organisation to request good quotes due to their lack of expertise and knowhow about quality requirements. The quality requirements that they had drawn up were insufficiently specific, meaning that the resulting request for a quote was too open to interpretation. In consequence, Damaged Goods was unable to compare the quotes they received properly in terms of the suggested price and of quality.</div></td></tr>
</table>Nastasiahttps://wiki.projecttracks.be/index.php?title=Registratie_en_identificatie_van_video-_en_audiotapes_bij_Damaged_Goods_voor_digitalisering/en&diff=4798&oldid=prevNastasia op 28 sep 2020 om 15:342020-09-28T15:34:33Z<p></p>
<table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="nl">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Oudere versie</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Versie van 28 sep 2020 15:34</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l10" >Regel 10:</td>
<td colspan="2" class="diff-lineno">Regel 10:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Meg Stuart is an American choreographer and dancer who lives and works in Brussels and Berlin. In 1991, she was invited by the international dance festival Klapstuk in Leuven to create her first full-length performance, Disfigure Study, with which she launched her artistic career in Europe. In 1994, she set up her own dance company [http://www.damagedgoods.be/EN/about], Damaged Goods, in Brussels.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Meg Stuart is an American choreographer and dancer who lives and works in Brussels and Berlin. In 1991, she was invited by the international dance festival Klapstuk in Leuven to create her first full-length performance, Disfigure Study, with which she launched her artistic career in Europe. In 1994, she set up her own dance company [http://www.damagedgoods.be/EN/about], Damaged Goods, in Brussels.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Over the years, the dance company has produced a large number of video and audio tapes with recordings of rehearsals, improvisations, performances, music etc. The videos, which have significant heritage value, were recorded on various analogue and digital devices, e.g. VHS, Hi8, Betacam SP, Video8, DAT and MiniDV. Of some performances, such as Disfigure Study, Damaged Goods only has a single recording.<ref>In 2002 a remake of Disfigure Study was made under the supervision of Damaged Goods. The dance company has multiple copies of this performance on DVD. However, the company only has one single VHS copy of the original 1991 performance.<ref></div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Over the years, the dance company has produced a large number of video and audio tapes with recordings of rehearsals, improvisations, performances, music etc. The videos, which have significant heritage value, were recorded on various analogue and digital devices, e.g. VHS, Hi8, Betacam SP, Video8, DAT and MiniDV. Of some performances, such as Disfigure Study, Damaged Goods only has a single recording.<ref>In 2002 a remake of Disfigure Study was made under the supervision of Damaged Goods. The dance company has multiple copies of this performance on DVD. However, the company only has one single VHS copy of the original 1991 performance.<<ins class="diffchange diffchange-inline">/</ins>ref></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In the audiovisual archive, there is often no distinction made between archive and reference copies. This means that some archive copies are not only used for long-term storage, but also for reference. Use for reference purposes increases the likelihood that the medium will become worn or damaged. In addition, the quality of the media deteriorates because of changes in their chemical composition. This is particularly true of audio and videotapes, but also of CD-Rs and DVD-Rs. This deterioration is accelerated by the lack of optimal storage space (an attic room with fluctuating temperatures and relative humidity). Furthermore, Damaged Goods does not possess playback devices for all the different types of analogue and digital media in its audiovisual archive. Technological evolution also means that playback devices and the accompanying media can become obsolete.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In the audiovisual archive, there is often no distinction made between archive and reference copies. This means that some archive copies are not only used for long-term storage, but also for reference. Use for reference purposes increases the likelihood that the medium will become worn or damaged. In addition, the quality of the media deteriorates because of changes in their chemical composition. This is particularly true of audio and videotapes, but also of CD-Rs and DVD-Rs. This deterioration is accelerated by the lack of optimal storage space (an attic room with fluctuating temperatures and relative humidity). Furthermore, Damaged Goods does not possess playback devices for all the different types of analogue and digital media in its audiovisual archive. Technological evolution also means that playback devices and the accompanying media can become obsolete.</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l68" >Regel 68:</td>
<td colspan="2" class="diff-lineno">Regel 68:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Bestand:20140618_DamagedGoods_02.jpg|600px|class=align-left]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Bestand:20140618_DamagedGoods_02.jpg|600px|class=align-left]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><div class="mw-translate-fuzzy"></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Inventorying the audiovisual archive===</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Inventorying the audiovisual archive===</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The first step was to create an inventory of the audiovisual material at Damaged Goods in order to create an overview of the archive. This was done using the template that PACKED vzw and the VIAA have created to collect information for the digitisation of video and audio. For the registration with Damaged Goods, we restricted ourselves to the fields that were relevant to the company’s audiovisual archive. You can see the adapted template [[Bestand:Registratiesjabloon_DG.xlsx|here]] (only in Dutch).</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The first step was to create an inventory of the audiovisual material at Damaged Goods in order to create an overview of the archive. This was done using the template that PACKED vzw and the VIAA have created to collect information for the digitisation of video and audio. For the registration with Damaged Goods, we restricted ourselves to the fields that were relevant to the company’s audiovisual archive. You can see the adapted template [[Bestand:Registratiesjabloon_DG.xlsx|here]] (only in Dutch).</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></div></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>On 16 and 18 July 2014, PACKED vzw and Het Firmament spent a day and a half compiling the inventory. A member of staff from Damaged Goods helped to number and identify the tapes. In this period of time, 436 video and audio carriers were inventoried:</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>On 16 and 18 July 2014, PACKED vzw and Het Firmament spent a day and a half compiling the inventory. A member of staff from Damaged Goods helped to number and identify the tapes. In this period of time, 436 video and audio carriers were inventoried:</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l111" >Regel 111:</td>
<td colspan="2" class="diff-lineno">Regel 113:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [http://www.nfsa.gov.au/preservation/handbook/film-identification-and-handling/film-identification/ film].</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [http://www.nfsa.gov.au/preservation/handbook/film-identification-and-handling/film-identification/ film].</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>In November 2014, Damaged Goods recruited volunteers to register the remaining video tapes. PACKED vzw will help to follow this up and will support the volunteers. Based on the temporary, current inventory, model descriptions will be drawn up on which the volunteers can base their work. <del class="diffchange diffchange-inline"> </del></div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>In November 2014, Damaged Goods recruited volunteers to register the remaining video tapes. PACKED vzw will help to follow this up and will support the volunteers. Based on the temporary, current inventory, model descriptions will be drawn up on which the volunteers can base their work.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Determining priorities===</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Determining priorities===</div></td></tr>
</table>Nastasiahttps://wiki.projecttracks.be/index.php?title=Registratie_en_identificatie_van_video-_en_audiotapes_bij_Damaged_Goods_voor_digitalisering/en&diff=4615&oldid=prevNoortje Lambrichts op 25 sep 2020 om 14:532020-09-25T14:53:15Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Oudere versie</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Versie van 25 sep 2020 14:53</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l51" >Regel 51:</td>
<td colspan="2" class="diff-lineno">Regel 51:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>PACKED vzw contacted VIAA to see whether Damaged Goods’ audiovisual archive would fit into VIAA’s digitisation projects.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>PACKED vzw contacted VIAA to see whether Damaged Goods’ audiovisual archive would fit into VIAA’s digitisation projects.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>VIAA is an institution that was set up in late 2012 by the Flemish government. The goal of VIAA is to digitise heritage, to create sustainable digital archives and make them available for education, research and the wider public via public libraries. Today, VIAA does this in the first instance for the audiovisual heritage, but its task not limited to this. <del class="diffchange diffchange-inline"><ref></del>In practice, one of the things that this means is that VIAA coordinates large-scale digitisation projects of material from both the broadcasting and the cultural sectors, and also bears the costs of this. The resulting files are stored in its own digital depot. The content partners can manage and use their digitised material via an online system made available to them by VIAA. VIAA itself can make the material available (in a non-exclusive manner) for educational and research purposes, and in public libraries.<del class="diffchange diffchange-inline"><ref></del></div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>VIAA is an institution that was set up in late 2012 by the Flemish government. The goal of VIAA is to digitise heritage, to create sustainable digital archives and make them available for education, research and the wider public via public libraries. Today, VIAA does this in the first instance for the audiovisual heritage, but its task not limited to this. In practice, one of the things that this means is that VIAA coordinates large-scale digitisation projects of material from both the broadcasting and the cultural sectors, and also bears the costs of this. The resulting files are stored in its own digital depot. The content partners can manage and use their digitised material via an online system made available to them by VIAA. VIAA itself can make the material available (in a non-exclusive manner) for educational and research purposes, and in public libraries.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>It is not possible for arts organisations to work directly with VIAA as a partner concerned with content, but VIAA does enter into partnerships with collection managing institutions. Because it is not in principle part of arts organisations’ mission to guarantee the sustainable accessibility of their audiovisual archive, VIAA prefers collaborations with arts organisations to take place via a collection managing institution, which then takes on the intermediary role, and also commits to preserving the digitised material in the long term. For the Damaged Goods archive, VTi is taking on this role. Also, VTi is not a collection managing institution like the museums, cultural archives or heritage libraries that operate within the cultural heritage sector, but one of its missions is to fulfil the role of documentation centre for the performing arts.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>It is not possible for arts organisations to work directly with VIAA as a partner concerned with content, but VIAA does enter into partnerships with collection managing institutions. Because it is not in principle part of arts organisations’ mission to guarantee the sustainable accessibility of their audiovisual archive, VIAA prefers collaborations with arts organisations to take place via a collection managing institution, which then takes on the intermediary role, and also commits to preserving the digitised material in the long term. For the Damaged Goods archive, VTi is taking on this role. Also, VTi is not a collection managing institution like the museums, cultural archives or heritage libraries that operate within the cultural heritage sector, but one of its missions is to fulfil the role of documentation centre for the performing arts.</div></td></tr>
</table>Noortje Lambrichts