Translations:Theaterzalen als archief: hoe vul je de leemte?/15/en

However, in some cases performing arts venues took their regular artists’ contracts as a base of having the right to publish produced (video-)materials. Even when artists had been asked, sometimes individuals involved in the artistic process, but not to be seen on the stage (and the video) – as authors, composers, set designers etc. – were ignored during the rights management processes. Further, negotiations with collecting societies and publishing houses, tv stations etc. – the second layer of rights management – who represent rights of artists and authors and in some cases the creators of the documents, took place only to varying degrees.